Frankie and the Pool Boys' first record was kind of a kitchen-sink record, with Ferenc Dobronyi on guitar, Jeff Turner on bass, Dusty Watson on drums, and a bunch of friends on the other guitars and additional whatever. Then they became a real band with an established lineup for two great LPs. And now we've got back to the start with Endless Drummer, a Poolboys record with a different drummer on every track, not to mention a bunch of other friends joining in.

Instro music today is a wonderful thing. Whereas the big surge of surf music rode a wave of retro novelty, this music now sits comfortably in obscurity with its creators playing for themselves and their peers, free to let creativity take them wherever it may. Many new surf bands are moored much closer to modern surf groups than vintage, and that's a great thing. We're building, spreading, getting weirder and more interesting with each year.

Surf has always had strong visual iconography attached to nudge how we interpret these instrumentals. We've built and expanded upon that just as we've transformed the music over the years. Here are some of the records where the art really stood out to me this year.

First time it’s a new thing, second time it’s getting official, third time it’s a ritual.

Frankie and the Pool Boys are still allowed to be a called a supergroup (because they’re super!), but I think they’re done being a side project. For one, they’re a band now -- a core group of members playing on every song instead of a hodgepodge gang of guest artists. And at three LPs they’re starting to rival or exceed the output of some of the bands their members were known for.