In 2016 The Bradipos IV after 11 years The Bradipos IV released their comeback record The Partheno-Phonic Sounds Of… It was a great record, and gauging by the hype at Surfguitar 101, a lot of people agreed. Thankfully we didn’t have to wait very long for the next one.

While Partheno-phonic was comprised of traditional neapolitan songs, the new record is a bit more of a straightforward instro record, especially as they tend to be today. That means a few covers, some dipping into other sub-genres (particularly Western in this case) and a bunch of originals.

Sonido Gallo Negro isn’t a surf band but I’ve noticed that they’ve got a lot of surf fans. After months of drifting around on Spotify, their third LP has finally seen a proper release.

Go to their bandcamp page and it says released January 18th and I've been listening to this one since then, but they told me their album release date was March 30th so I waited a bit. With that extra time I've been trying to nail down what it is I like about CARLO but it remains elusive. It's hard to even pick out a real standout track, as I've found this record is best taken as a whole. It's the mood really, laid-back and adventurous at once, like a day trip to a swimming hole.

A new album from Arno de Cea and the Clockwork Wizards is a stop-what-you’re-doing thing. He’s on top of his game and delivering a surf sound that nobody else has. But admittedly, two tracks in I found myself a little apprehensive about writing this review. What more is there to say about his nearly-perfected, patentable Brutal Surf? After two albums of the stuff, are there any worlds left to obliterate? 

New Orleans’ instro scene is a weird one but as of lately a surprisingly active one.

It’s been great watching Blackball Bandits find their way from a couple of bandcamp so-called-demos to a proud members of the Double Crown roster (and featured on the soundtrack to a remake of one of my favorite games). They’ve done a great job of retrofitting retro surf feel and attitude to more modern surf song structures.

The Terrorsurf have a new LP of trashy surf tunes and even pressed it to vinyl. Bands with a lo-fi sound like theirs often seem like a weird fit for vinyl but it turns out this is a bit nicer of a sound than they had on their 2016 debut under this name. They’re not really lo-fi anymore (they claim to be Zombiphonic Hi-Fi) and they’re better for it: it’s still got a punk momentum and it’s still usually dealing in a low, scummy mood (but not always!). They’ve also added a second guitarist, expanding what they’re able to do in a big way.

After 6 years without a release, Y Niwl (pronounced Ur Nyool) have emerged with a new sound. For lack of better terminology, it's a bit more "indie' with guitar tones more in-line with modern music and with the keys (still prominently featured) expanding to different tones as well. I like it. They keep their whimsy from earlier works but have moved into something a little more expansive sounding.

It's been 4 years since The Irradiates' last LP Revenge of the Plants and though we've had some Arno de Cea & the Clockwork Wizards albums to keep us happy in the meantime, it might be a little disheartening to see that this is a collection of rarities, unreleased tracks and live cuts if you were expecting an album.

After their promising 2016 EP "Here Come the Delstroyers" these Seattleites have thrown together a longplayer for us. And it's a lot of fun.