It's kind of a given when doing a review that the band is, well, a band, and the album is an album. Truthfully I don't think I understand what Chung Kings are. Their facebook description is "Chung Kings is a moveable feast of like-minded musicians expressing its love for Lo-Fi Surf, Ethio-Jazz, Latin, Rhythm & Blues and Exotica." I'm not sure that really clarifies it much. They've described this album as a compilation, which explains the names of groups in parentheses.

This one came out a few months ago and I would have missed it completely were it not from Ferenc's review in The Continental Magazine. If you have it, read that. This Finnish stuff always tends to sneak by!

I feel like I've mentioned in past Gremmys something along the lines of "There weren't a lot of big releases this year" which had me wondering "What is a big release?". I mean, this is surf music, even Los Straitjackets are far from a household name. But this does feel like a big release year, with big releases from Les Agamemmnonz, Pollo Del Mar, Arno de Cea & the Clockwork Wizards, Surfer Joe, and of course these guys. They've hardly been dormant, with two LPs and two singles in the 2010s and I've managed to see them twice, but one LP was a live record and the other was covers (albeit most of them obscure enough to feel like originals). You Can't Handle the Tremolo Beer Gut is their first LP of originals since 2008.

Though they've been dropping a few nice singles here and there, it's been 15 years since we've had an LP from the Space Agency, and they remain as special as ever. Somewhere underneath layers of fuzz and pedals is a pretty trad surf group with great dead-simple melodies that honestly could sound more 1962 than many groups if they felt like it. Give a listen to the least dressed song on this record "Alpaca Boogie" to catch a glimpse.

In the past few years surf has finally being sneaking in nods to another nostalgic form of instrumentals: video game themes.

The title "Poolside with" may seem somewhat generic, but it's actually a bit of a clue. The Bluebottles aren't out to capture the adrenaline rush of a monster wave, it's a lighthearted album full of party music. Even though opening track, though lively, features an acoustic guitar lead, aiming to greet with an active dance floor rather than an overwhelming salvo.

The fourth LP from Coffin Daggers is perhaps a bigger turn than having a google-eyed bongo-playing demon on the cover: it's a cover record! Of eleki tunes! For those unacquainted, Eleki is a Japanese instrumental rock & roll music, highly Ventures influenced, typically with very sharp, staccato guitar tones. Admittedly, Eleki is a bit of a weak point in my instro knowledge -- I always kind of hoped I'd go to Japan and blindly buy anything that vaguely fit the bill and learn from there -- but generally good starting points are Takeshi Terauchi and Yuzo Kayama.

Chewbacca’s have released two great Astro-Man styled records back in 2002, resurfaced with a great split LP with Espectroplasma in 2012, and that’s it until now with this full LP on Sharawaji Records.

Stereophonic Space Sound Unlimited would be one of the best at their genre if they didn’t feel like their own genre. If each LPs sounds similar to the last, I believe that’s OK because nobody else sounds like them and that sound has been pretty tightly designed since LP1.

Every Durango14 album has built significantly on the last one, and while 2016’s Vol. 3 was very close, I believe this is the album they were striving to make.