Every year there's some things that feel like they're off on their own orbit, but that orbit spends a decent amount of time in our surf galaxy. Awful astronomy aside, some things just don't fit neatly into my stupid Gremmy categories, and though it's hard to judge them as there's little to compare them to, a great record is a great record and should be recognized for it.

Andre Nucci used to play in Intoxicos, but their relationship can't be that toxic because he illustrated this cover! I love when somebody can take something done a million times (in this case surfing guitarist) and make it feel new. The garbage, creature's eye, two nuclear bombs, that stuff is fun. But I also just love way it's illustrated. That guitar-surfer's stance and the linework on it really sells the motion. And I love the bright colors that fade to pastels with perspective. This band's art has always been good (the extended art from End Times seen on their facebook banner is great) but this is their best yet.

I think album art is important. It warms you up to a record and sets the tone. When sitting next to a bunch of other records, it's what makes somebody stop and ask "what is this?"

SurfGuitar101 is back and, to embrace cliche, bigger than ever. This year organizer Jeff "BigTikiDude" Hanson partnered with a few other organizers, dropped the moniker of Convention, and moved to the 3-day weekender model, held at the Golden Sails hotel, where I failed to get a room before it filled up.

The nice thing about being part of a small genre is that reunions are often as low-stakes as starting the band in the first place. It's not like they had to run the numbers to see if a big tour would be financially worth the effort. From I gather from the liner notes, they went on hiatus to devote more time to families and life stuff, played a few shows over the years on special occasions, and then started jamming during the pandemic and thought "this is nice".