Hypnotide's debut LP Landlocked was a surprise favorite from 2015. With only 6 tracks, Hypnotide can't possibly show the same flexibility with their sound that they did on the LP, and they don't really attempt to.

After 6 years without a release, Y Niwl (pronounced Ur Nyool) have emerged with a new sound. For lack of better terminology, it's a bit more "indie' with guitar tones more in-line with modern music and with the keys (still prominently featured) expanding to different tones as well. I like it. They keep their whimsy from earlier works but have moved into something a little more expansive sounding.

It's been 4 years since The Irradiates' last LP Revenge of the Plants and though we've had some Arno de Cea & the Clockwork Wizards albums to keep us happy in the meantime, it might be a little disheartening to see that this is a collection of rarities, unreleased tracks and live cuts if you were expecting an album.

Let me suggest that you skip the first track. It's a good song, but it's got a thin garage-surf sound that gets the wrong idea across.

The sophomore release from De Surfures has me wondering why I didn't pay much attention to their first. This album is full of punchy modern surf instrumentals with a great grit and momentum to them, with a few fun twists thrown into the mix. The mix on this is a little funky, with the percussion way up there and guitars at sometimes nearly subliminal levels, and it feels like that mixer is moving around pretty often. It takes some getting used to, but in the end I think I like it. It's a unique sound and it doesn't lose that core rock & roll feeling.

After 4 years this New Orleans local surf punk band has put out their third release. Every Bills release has sounded better than the last, and this one lets you know it right from the first loud and heavy note of guitar. And they're proud of it; even though half of this album is vocal, the guitars are always just as loud.

After their promising 2016 EP "Here Come the Delstroyers" these Seattleites have thrown together a longplayer for us. And it's a lot of fun.

The Quaketones caught me with my pants down. I had only heard about them a day before this poped up on bandcamp despite them being from New Orleans.

Las Vegas Grind is a compilation series put out by Crypt records featuring bawdy instrumentals that were more about honkin sax than reverbed guitar. That series helped identify a different style of rock & roll instrumental that might have otherwise been shrugged off we came to get a little more obsessed with genres and focus on this idea of "surf music". If you need a reference point, Tequila would fit nicely into Las Vegas Grind, though I'd suggest just grabbing those compilations, they're really great.

Mark Malibu and the Wasagas were a second wave surf group up in Toronto that have recently reformed. I won't pretend that I already knew that, but I believe this is their second LP and their first recordings since 1981!