Album art is important. Bad album art can negatively affect a listener's opinion going in, and good album art can inform how to approach the album, what imagery they can conjure in their head. I think this especially important in instrumental music, where so much is left to interpretation without lyrics to guide you. Here are some records that stood out to me before I even listened to them.

Full steam ahead, this category is for groups that prioritze noise, speed, and power in their instrumental music. They often take influence from punk groups, they're often simple and lo-fi, and in spirit sometimes I think they're closer to what teens in the 60's wanted to do.

This is the first set of albums included in this countdown. Though these may be lower on the list, being on the list at all is a great accomplishment, and if it were entirely up to me several of these would be much higher. That said, since these had fewer votes than higher on this list and there were more tie-breakers to decide, their position was a little less absolute and my thumb pressed on the scale a little bit more than it will in subsequent chunks.

For more details about how this list was decided upon, see this page.

Genki Genki Panic stands at an unlikely intersection between Mike Patton, Cave In, John Carpenter, Danny Elfman, surf music, and nerddom. Their own description of this album is that it was supposed to be an epic noise/surf concept album, and it seems it languished and they were like "eh, it's the apocalpyse right now, let's just push it out." Oddly enough, I think it settles into something that feels just about right for this band.

Genki Genki Panic is back after their transformative Spooky Fingers EP. While Spooky Fingers felt kind kind of like a soundtrack, Litanies of Surf is a rock record, dialing back the atmospherics, cranking up the volume and the speed, and keeping the anything-goes approach to their song-writing. Less spooky, but bigger and meaner. Less Danny Elfman, more Man...

There are some things that deserve recognition other than just the albums themselves. This is the category where I get to spill out the rest of those observations. These categories change year to year.

This is the stuff that doesn't seem to fit into any other category. The stuff staking out a sound of their own. Not always difficult listening, but definitely fresh.

While I think it has gotten better in the 2010s, I think it's understated how often poor sound engineering has held back an otherwise decent surf record. What we have here is the opposite story. Genki Genki Panic's previous releases weren't hampered by their production, but "Spooky Fingers" makes an amazing impression in an instant, setting a brand new idea of what this band is about.

Genki Genki Panic may have already released an LP this year, but managed to squeeze in another small spooky one before Halloween. Two of these are covers: White Zombie's "Soul Crusher" and a Misfits cover (always appreciate another misfits cover) in "Return of the Fly". The title track "Vaya Con Diablos" is actually a creeping vocal track.

This one's a free download. They do have CDs for sale for a cheap $5. Release date says October 31st but CDs ship Oct 23rd. Yes, that's how you do it!

Genki Genki Panic is a twosome comprised of guitarist Chancho and drummer El Fatsquatch. A little while ago they had a six-song demo EP up, and it's nice to hear how those songs have progressed into a much more polished product, and of course it's nice hear the new tracks that came along the way. If you like horror surf it's well worth a listen.