As was written, in 1994 Pulp Fiction was released to theaters, effectively attaching jumper cables to surf music. Not only did this give rise to countless new surf groups, but 60's acts found a new audience, which gave way to events like the one presented to us here: a recording of a 1995 gathering of surf greats at the Lighthouse Cafe in Hermosa Beach in 1995, organized in part by Paul Johnson (Bel-Airs and PJ and the Galaxies). It was truly a legendary night. I was ten years old, roughly 2000 miles away, and this was roughly around when I bought my first CD, so I can't vouch for that. But today I can get a glimpse!
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Magnatech is a solo project from John Verhoef that jumped out mid-pandemic with a steady stream of releases that now totals seven LPs five years on. Each release saw noticeable tweaks and tips learned along the way until he'd worked out a pretty signature sound. Perhaps in fear of painting himself into a corner, for 312 Magnatech Fans Can't Be Wrong, there's a bit of a reset on that sound, pulling the plug from the compressor in the signal chain, for a less in-your-face sound overall but perhaps a more honest and detailed guitar.
One of the coolest things about the Surfguitar101 Festival is the burst of new releases occurring in advance of a band's appearance.
The Counterfeit is a 12-piece Spaghetti Western band out of Melbourne, Australia. While they frequently play different arrangements than the original film scores, their "counterfeit" versions are extremely convincingly mimicing the orignial Spaghetti Western composers, and their off-the-beaten-path song choices had me itching to learn more. So I had a virtual sit-down with Harley Stewart, guitarist and music director for the group, and learned about their detailed plan to bring a mostly forgotten musical genre back to life.
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STORM SURGE OF REVERB
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